Financially, my knowledge of Spanish has yielded me exactly
ten-and-sixpence—for the translation of a stupid aria! But I have never given
it up, and I find that running over Spanish irregular verbs is an infallible
cure for insomnia.
–Edward Agate in James Agate's Ego (73)
Saturday, March 24, 2012
Friday, March 23, 2012
L'histoire
accueille et renouvelle ces gloires déshéritées; elle donne nouvelle vie a ces
morts, les ressuscite. Sa justice associe ainsi ceux qui n'ont pas vécu en même
temps, fait réparation a plusieurs qui n'avaient paru qu'un moment pour
disparaitre. Ils vivent maintenant avec nous qui nous sentons leurs parents,
leurs amis. Ainsi se fait une famille, une cité commune entre les vivants et
les morts.
-Michelet, Preface to Histoire du XIXe Siécle, Vol II. history
-Michelet, Preface to Histoire du XIXe Siécle, Vol II. history
Monday, March 19, 2012
Sunday, March 18, 2012
Took Leo to supper at the Trocadero and was very glad when he only wanted to drink beer. This enabled me to have my usual pint of champagne. I am dead without it. But I cannot afford to buy champagne for other people. If, therefore, I invite anybody to a meal--which owing to the impecuniousity of my friends I must always do--either I must behave like a cad or remain dead. I prefer the former. Leo said that to get the best out of a love-affair one should never ask for more passion than the beloved one is competent to provide. It is impossible to convey the amount of erotic dissolusion in Leo's voice as he said this. Wordsworth would have called it dissapointment recollected in tranquillity. Apropos of Gibbon, Macaulay, and Carlyle, Leo defined History as "the way things get about."
-A Shorter Ego I (41), James Agate money love history
-A Shorter Ego I (41), James Agate money love history
Wednesday, March 14, 2012
Heart & Mind: What is sentimentality? If one asks somebody who ought to
know, one is told: an excess of emotion; or again, misplaced emotion. Both
answers miss the point. Who can judge when emotion is too much? People vary not
only in the power to feel and to express feeling, but also in their
imagination, so that a stolid nature will deem it excessive as soon as love or
grief is expressed vividly or strongly. Shakespeare is full of “exaggerated”
emotion, but never sentimental. The same remark applies to the other answer.
When is feeling misplaced? at the sufferings of a tragic hero? at the death of
a pet? at the destruction of a masterpiece? One may argue that any emotion out
of the common should be restrained in public, but that is another question, one
of social manners that has nothing to do with a feeling’s fitness to its
occasion. The diagnostic test must be found somewhere else.
Sentimentality is feeling that shuts out action, real or
potential. It is self-centered and a species of make-believe. William James
gives the example of the woman who sheds tears at the heroine’s plight on the
stage while her coachman is freezing outside the theatre. So far is the
sentimentalist from being one whose emotions exceed the legal limit that he may
be charged with deficient energy in what he feels; it does not propel him. That
is why he finds pleasure in grief and when he is in love never proposes.
-Jacques Barzun, From Dawn to Decadence (411)
Politics: There is a general folk belief, derived
largely from Burke and the nineteenth-century historians, that political
stability is of slow, coral-like growth; the result of time, circumstances,
prudence, experience, wisdom, slowly building up over the centuries. Nothing
is, I think, further from the truth (…) Political stability, when it comes,
often happens to a society quite quickly, as suddenly as water becomes ice.
–
J.H. Plumb, The Growth of Political
Stability in 18C England
Tuesday, March 13, 2012
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